installator:

“For its exhibition texts and graphics, the Whitney works with a master printer, Tom Black of T. E. Black Studio. Arriving in a van loaded with paint, scaffolding, and screens prepped over the preceding weeks, Black and his four-person crew screenprint texts and graphics directly onto the Museum’s walls a few days before the show opens.” (whitneymuseum)

installator:

For its exhibition texts and graphics, the Whitney works with a master printer, Tom Black of T. E. Black Studio. Arriving in a van loaded with paint, scaffolding, and screens prepped over the preceding weeks, Black and his four-person crew screenprint texts and graphics directly onto the Museum’s walls a few days before the show opens.” (whitneymuseum)

This was posted 5 days ago. It has 8 notes. .
For M.
76 3/8 in. x 72 1/4 in. (193.99 cm x 183.52 cm)
Acquired 1972
Collection SFMOMA
Anonymous gift
© Estate of Philip Guston
Source: http://www.sfmoma.org/explore/collection/artwork/140##ixzz1uuKUBhD1 San Francisco Museum of Modern Art

For M.

76 3/8 in. x 72 1/4 in. (193.99 cm x 183.52 cm)
Acquired 1972
Collection SFMOMA
Anonymous gift
© Estate of Philip Guston



Source: http://www.sfmoma.org/explore/collection/artwork/140##ixzz1uuKUBhD1 
San Francisco Museum of Modern Art


This was posted 1 week ago. It has 2 notes. .
58 3/4 in. x 58 3/4 in. (149.23 cm x 149.23 cm)
Acquired 1980
Collection SFMOMA
Bequest of Joseph M. Bransten in memory of Ellen Hart Bransten
© Richard Diebenkorn Foundation
Source: http://www.sfmoma.org/explore/collection/artwork/4420#ixzz1uuJO0lFZ San Francisco Museum of Modern Art
58 3/4 in. x 58 3/4 in. (149.23 cm x 149.23 cm)
Acquired 1980
Collection SFMOMA
Bequest of Joseph M. Bransten in memory of Ellen Hart Bransten
© Richard Diebenkorn Foundation



Source: http://www.sfmoma.org/explore/collection/artwork/4420#ixzz1uuJO0lFZ 
San Francisco Museum of Modern Art

This was posted 1 week ago. It has 0 notes. .

andrewharlow:

“There is nothing worse than a sharp image of a fuzzy concept”

-Ansel Adams, but does it float

This was posted 1 week ago. It has 303 notes.
cavetocanvas:

Will Barnet, Early Morning, 1939

cavetocanvas:

Will Barnet, Early Morning, 1939

This was posted 1 week ago. It has 144 notes. .
fuckyeahexpressionism:

Jack Tworkov, Seated Woman, n.d.

fuckyeahexpressionism:

Jack Tworkov, Seated Woman, n.d.

This was posted 2 weeks ago. It has 24 notes. .
elektrotacker:

Tworkov, Jack (1900-1982) - 1949 Green Landscape #4 (Samuel Dorsky Museum of Art, State University of New York, USA) by RasMarley on Flickr.

elektrotacker:

Tworkov, Jack (1900-1982) - 1949 Green Landscape #4 (Samuel Dorsky Museum of Art, State University of New York, USA) by RasMarley on Flickr.

This was posted 2 weeks ago. It has 1 note. .
dailyartjournal:

Willem de Kooning - Untitled, 1961 by Jan Lombardi on Flickr.

dailyartjournal:

Willem de Kooning - Untitled, 1961 by Jan Lombardi on Flickr.

(via wowgreat)

This was posted 2 weeks ago. It has 139 notes. .
andrewharlow:

dispersion- julie mehretu

andrewharlow:

dispersion- julie mehretu

This was posted 2 weeks ago. It has 159 notes. .
citynoir:

Keith Haring. 1984

citynoir:

Keith Haring. 1984

This was posted 2 weeks ago. It has 7,165 notes. .
artistandstudio:

Robert Rauschenberg and model

artistandstudio:

Robert Rauschenberg and model

This was posted 2 weeks ago. It has 52 notes. .
sfmoma:


The art market entered a new phase on Wednesday evening when “The Scream,” a pastel drawn in 1895 by Edvard Munch, was sold for $119.92 million at Sotheby’s auction of Impressionist and modern art.

(via NYTimes)
:-o sums this up pretty well!

sfmoma:

The art market entered a new phase on Wednesday evening when “The Scream,” a pastel drawn in 1895 by Edvard Munch, was sold for $119.92 million at Sotheby’s auction of Impressionist and modern art.

(via NYTimes)

:-o sums this up pretty well!

This was posted 2 weeks ago. It has 105 notes. .
cavetocanvas:

Two Fridas - Frida Kahlo, 1939

cavetocanvas:

Two Fridas - Frida Kahlo, 1939

This was posted 2 weeks ago. It has 1,066 notes. .

AS: In recent years I’ve begun to think of all my various endeavors — painting, textiles, photography, blogging — as part of a whole artistic life, broader and more ordinary than my New York art-world life. I want to make art out of the overlooked, whether in photographs, in paintings of farm machines or in using a common craft technique. I am interested in “being rapt with satisfied attention,” as William James wrote, and I agree with the filmmaker Abbas Kiarostami when he said, “Even daily life should ultimately reach an essence that is akin to poetry.”


From http://hyperallergic.com/50846/altoon-sultan/

This was posted 2 weeks ago. It has 2 notes.
Altoon Sultan, “Pale Pair (for Malevich)” (2007), hand dyed wool on linen

Altoon Sultan, “Pale Pair (for Malevich)” (2007), hand dyed wool on linen

This was posted 2 weeks ago. It has 2 notes. .